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Competition Organs


In a break with previous practice, the competition will use three organs, giving competitors the opportunity to choose a varied repertoire to suit the respective instruments. This will also allow for the various associated performance practices to be more fully utilized.

The quarterfinal round is split between two organs which represent the very best of their respective traditions: Holy Trinity Church in Crosshaven, Co Cork (Henk van Eeken 2010, II/10), and St Patrick’s Cathedral in Dundalk, Co Louth (Henry Willis 1900, III/37). The former is a fine new organ in an eighteenth century style by one of the foremost builders today working with historic techniques, the latter a superb late-Romantic instrument in virtually original condition.

The semifinal and final rounds take place in Christ Church Cathedral Dublin, where the 1984 Kenneth Jones organ (III/40) underwent tonal revision by Flentrop Orgelbouw in 2004 and is a remarkably versatile instrument well suited to a wide range of repertoire.

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Christ Church Cathedral, Dublin

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Kenneth Jones & Associates, 1984
Flentrop Orgelbouw, 2004
* Flentrop Orgelbouw

Great Organ

C-g’’’

Swell Organ

C-g’’’

Quintaton

16

Celeste

8

Principal

8

Salicional

8

Rohrflute

8

Gedackt

8

Octave

4

Principal

4

Nachthorn

4

Wood Flute

4

Nazard

2⅔

Gemshorn

2

Fifteenth

2

Sesquialtera (12–17) II

 

Open Flute

2

Scharf III–IV

1⅓

Tierce

1 3/5

Double Trumpet

16

Mixture IV

2

Cornopean

8

Cymbal II

½

Oboe

8

Trumpet *

8

 

 

 

 

 

 

Choir Organ

C-g’’’

Pedal Organ

C-f

Stopped Diapason

8

Open Wood

16

Rohrflute

4

Principal

16

Nazard*

2⅔

Bourdon

16

Gemshorn*

2

Octave

8

Tierce*

1 3/5

Bass Flute

8

Cromorne

8

Fifteenth

4

 

 

Mixture IV

2⅔

 

 

Contra Trombone *

32

 

 

Trombone

16

Swell Tremulant

 

Bass Trumpet

8

Great Tremulant

 

Clarion

4

 

 

 

 

Couplers

 

 

 

Swell–Great, Choir–Swell, Choir–Pedal, Swell–Pedal, Great–Pedal

Full complement of accessories
Mechanical action throughout, with parallel electric stop action

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St Patrick's Cathedral, Dundalk, Co Louth

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Henry Willis, 1900
* 1930s additions by Henry Willis III

Great

C-a’’’

Choir (enclosed)

C-a’’’

Double Open Diapason

16

 

 

Large Open Diapason

8

Clarabella

8

Small Open Diapason

8

Dulciana

8

Claribel Flute

8

Gamba

8

Principal

4

Concert Flute

4

Flute Harmonique

4

Piccolo

2

Fifteenth

2

Nazard *

2 2/3

Mixture iv

2

Tierce *

1 3/5

Trumpet

8

Corno de Bassetto

8

Clarion

4

 

 

 

 

 

 

Swell (enclosed)

C-a’’’

Pedal

C-f

Lieblich Bourdon

16

Open Diapason

16

Open Diapason

8

Violone

16

Lieblich Gedact

8

Bourdon

16

Salicional

8

Octave

8

Vox angelica

8

Bass Flute

8

Gemshorn

4

Ophicleide

16

Flageolet

2

 

 

Mixture III

 

Couplers

 

Contra Posaune *

16

Swell—Great

 

Cornopean

8

Swell—Choir

 

Oboe

8

Choir—Great

 

Vox Humana

8

Great—Pedals

 

Clarion *

4

Swell—Pedals

 

 

 

Choir—Pedals

 

Swell Sub Octave

4

composition pedals to Great & Pedal

Swell Octave

4

composition pedals to Swell

Tremulant

1

Great—Pedal reverser

Original 1900 tubular pneumatic action throughout

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Holy Trinity Church, Crosshaven

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Henk van Eeken, 2010

Great

C-f’’’

Pedal

C-d’

Open Diapason

8

Trumpet

8

Stopt Diapason

8

 

 

Principal

4

Couplers

 

Fifteenth

2

Choir—Great

 

Mixture III-IV

 

Great—Pedal

 

Cornet III

 

 

 

 

 

Tremulant

 

Choir

C-f’’’

Cornet c/c# switch

 

Stopt Diapason

8

Temperament:

 

Flute

4

Kellner/Bach

 

Fifteenth

2

 

 

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logoorange Competition 2011 homepage